His rougher vocals weren’t able to exactly mimic how Williams did high-pitched characters when the Genie transforms.ĭisney chairman Jeffrey Katzenberg tried to ease tensions by sending a Picasso painting to Robin Williams, the gift valued at $1 million. The difference in Castellaneta’s voice acting is obvious, although he replicated it as close as he could to Williams' version. Most of the original movie’s cast returned to these Aladdin follow-ups, Weinger, Larkin, Abu's Frank Welker, and Lago's Gilbert Gottfried.
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Williams got recast by Dan Castellaneta, well-known for giving bumbling Homer a voice, plus many other characters on The Simpsons.
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In an LA Times article, a Disney source stated, “Every single piece of marketing material involving Robin Williams was run by Marsha (the actor’s wife) and Robin Williams.” This disagreement wasn’t going away anytime soon, meaning the Genie wasn’t going to have its voice actor and two projects needed it: Aladdin: The Return of Jafar, Disney’s first direct-to-video animated film, and the TV show, Aladdin: The Series. “You realize when you work for Disney why the mouse has only four fingers - because he can’t pick up a check,” he stated.ĭisney claimed Williams’ comments were done out of frustration on his part due to him being unhappy with his paycheck. That was the one thing I said: ‘I don’t do that.’ That was the one thing where they crossed the line.” The actor and comedian wouldn't work with them again unless they apologized for their wrongdoing. Not only did they use my voice, they took a character I did and overdubbed it to sell stuff.
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He explained, “Then all of a sudden, they release an advertisement-one part was the movie, the second part was where they used the movie to sell stuff. Williams accepted to be paid less for the role ($75,000 instead of $8 million) to ensure his voice wouldn’t be used to sell any kind of products. Aladdin was released, became a box office juggernaut, and merchandising was a no-brainer for the Walt Disney Company.
He had a strict agreement before signing onto Aladdin that he didn’t want his voice involved in merchandising. Doubtfire, it was there he revealed why there was bad blood between himself and Disney. In 1993, when Williams went on The Today Show to promote Mrs. At one point, we had to remove the Genie’s lead animator, Eric Goldberg, from the recording stage because his uncontrollable laughter was messing up takes.” Clements went on to add, “Hopefully we picked the best stuff, but there was a tremendous amount of strong material that didn’t make it.” And as quickly as this new collaboration started, it ended, a factor belonging to the massive collection of recorded dialogue. Ron Clements, co-director of Aladdin, shared memories with Variety: “Each take, Robin would add and embellish, so by the 25th (and last) take, the scene had expanded (from three minutes) to about 20 minutes long! Robin kept coming up with more and more ideas. The actor and comedian got furious over a broken agreement, which clouded up the skies over the sparkling castle seen in Disney’s opening logo. Aladdin ended up a major box office success, but a public feud soured the relationship between the Walt Disney Company and Robin Williams. It found a whole new world of magic and music, with the Genie stealing every scene he was in. Aladdin wouldn’t be the Disney classic it is without the vocal range of Williams. This magical creature has “phenomenal cosmic powers!” while stuck in, “itty bitty living space,” and above all else, is a manifestation of the rapid-fire voices Williams could do with ease. There were jokes geared toward kids and adults. There were impersonations of celebrities, like Jack Nicholson and Arnold Schwarzenegger. As the Genie in the 1992 classic Aladdin, Robin Williams got to let his distinct voice bounce from deep and rumbling to high-pitched as if he sucked in helium. Ten thousand years may give a crick in the neck, but in some cases, so can Disney.
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